The principles of design can be applied to generate breakthrough
thinking over incremental thinking. Here’s how to get started. 24 • Rotman Magazine Spring/Summer 2006
Design is one of the hottest topics in the
business arena today, dubbed the new driver
principles and practices behind all great
design can be more broadly leveraged into
weapon. This year, it even got its due at
Open Up: Design doing is a non-starter
Davos, where the World Economic
tantly, the reframing of opportunities in a
Forum featured a roster of programs on
new thinking about innovation and the value
referred to as ‘design thinking’.
order to achieve something worthwhile.
through ideas [including three sessions led
neering, architecture, graphics, industrial
by Rotman Dean Roger Martin.]
design and others) teach things not typi-
to ‘working together’, but also an earnest
receptiveness to new ideas (good and bad),
what the world’s leading innovators are dis-
an interest in every new insight – whether
‘design world’ thinks and makes things,
it fits your preconceived paradigm or not,
waste – of energy (human and otherwise),
there are patterns that emerge in terms of
and an allowance to imagine the possibili-
mindset and method that are just as valu-
unreasonable or infeasible ideas may seem.
fullest potential, it must be translated into
endeavors as they are in the design realm.
an accessible,‘doable’ program.Those who
are intrigued by design need to be able to
to create economic and human value – be it
feed off of new insights and effectively build
grasp its core notions and begin to put its
off the ideas of others, embracing both the
principles and practices into play, with a
established commercial enterprise – can
friction and fusion that comes with intense
long-term conviction to shifting their cul-
ture by driving the philosophy throughout
Is it all about creativity? No. Creativity
Go out on a limb: The right emotional cir-
is technically the ability to create something
products or services, a new way of market-
new. Design is about the process of making
experiment and play with new ideas. Great
ing to your customer, or to reinvent your
or doing something new. And that’s where
entire business model, ‘design thinking’
design is more aligned with innovation on a
and trying new things, with the very strong
holds valuable clues as to how to get to big-
grand scale – it is not an attribute, it is fun-
possibility of failure. IDEO, one of the
ger ideas, faster and more efficiently. And
world’s greatest innovation labs, has count-
while there are many methods for fuelinginnovation, the principles and practicesbehind design are so intuitive and have such
a pedigree of success, it is hard to questiontheir value.
doing something new. It is not an attribute,
it is fundamentally about action.
highlighting the learning and practices ofthose who have discovered how to turn
Finally, the process of ‘design doing’ is
less stories of where a really ‘bad’ or ‘crazy’
design thinking into design doing.
not about establishing a new set of rules –
it is about a fundamental shift in culture – a
Design vs. Design Thinking
ask, “What if it doesn’t work?” or claim, “If
Most people associate the word ‘design’
methods of working that infuses your cul-
I do that I may get fired.” Creating a culture
with a physical manifestation of form and
ture with the spirit of innovation in a way
of courage is not just about making people
function – an aesthetic that appeals to the
brave enough to go out on a limb, it is about
discerning user, a form that creates a satis-
creating the right conditions in which brave
The Mindset Defines the Conditions
and intelligent people can perform – condi-
emotional ‘journey’ for the user in spatial
The first step is to extract the ‘attitude’
tions of integrity, trust, and tolerance for
risk-taking. All of these are related back to
that makes the concept viable, technically
great articles written about the mindset of
open-minded collaboration, as integrity is
and economically. All of these are valid and
the root of trust, which is the fuel for col-
valuable interpretations of design, relating
inspiring characteristics that most of us
to the craft and technical expertise of the
design field that helps to create human and
courageous individual will not succeed.
Rotman Magazine Spring/Summer 2006 • 25 Don’t give up: No great design is realized
salaries are invested. Most ‘growth initia-
mouse for Apple was perfected by IDEO
tives’ take the form of line extensions and
following extensive prototyping and itera-
straints and obstacles. Dean Roger
impossible requirement of increased relia-
Martin states that the single biggest attitu-
in a certain way for specific products or cat-
bility at 10 per cent of the original cost of its
dinal driver in breakthrough success is a“no trade-offs” mindset – the attitude of
those who dive into ‘wicked problems’ andsee constraints as a juicy challenge rather
than a reason to give in and settle for less.
tional conditions under which designthinking can flourish, without those out-
lined above, innovation through the practiceof design will never get off the ground.Thepsychology of the individual and collective
egories. If research suggests incremental
Xerox version. Similarly, concept cars are
sales with minimal investment risk, it’s ‘all
unveiled at auto shows to generate customer
systems go’. This is a very responsible way
feedback and further refine the design. The Methodology – Gearing Up
to stretch more out of your current activity
With the ‘big idea’ in hand, you then
system, with largely incremental results.
Then there’s the ‘breakthrough route’,
design, to model a unique system of ‘strate-
gic hubs’ and ‘supporting activities’ that will
nents rather than a litany of rules, process
begin with the user and set out on a path to
not only deliver value to the user, but also
look at the broader context of their lives
competitive advantage and profit to you.
Pushing the concept through to a point that
it is viable and profitable is not easy – this is
zation, three ‘forces’ have to converge: a
tapped. The Illinois Institute of Technol-
where the ‘no trade-offs’ attitude pays off. It
ogy’s Institute of Design has developed an
requires a lot of hard work and many itera-
typing; and strategic business design. In
designworks™, we call these forces ‘the
ing the user’s ‘activity’ (versus product
breakthrough will tell you that their convic-
tion and collaboration pushed the project
opportunities and helps set new criteria for
through to fruition. Southwest Airlines’ Figure One: The Three Gears of Design
innovation. If you develop a deeper under-
one of the most innovative providers of con-
yourself up to new possibilities. Witness
athletic performance brands like Adidas
industry, creating a sustainable competitive
moving into the fashion arena, and iPOD’s
advantage that other airlines have attempted
redefinition of mobile entertainment.
insights and criteria to develop ‘outside the
many tools and techniques that are used by
dots’ concepts – exploring many new and
even seemingly crazy ways to deliver bigger,
rigour behind each gear cannot be compro-
broader user value. The ‘design key’ in the
linear pass-through process; it is extremely
and consider a variety of ways to deliver
iterative. It’s not about using a restrictive
against your criteria through multiple-pro-
set of rules – but instead creating the right
feedback and reconfiguration along the way.
(user – idea – business model) serve as the
touch points throughout an iterative devel-
do as a matter of practice is begin by exam-
narrow your options and create the concept
ining their ‘big gear’ – the existing business
that is most distinctive and creates the most
oneself and the team from the constraints
model.This tried-and-true exercise focuses
value for your user, perhaps tapping into a
of early perfection and not being preoccu-
need or opportunity that no one (including
pied with getting it right too early, so that
current capabilities and capacity – natu-
you limit your possibilities. What compa-
rally, as this is where their capital and
lated: that’s breakthrough. The computer
26 • Rotman Magazine Spring/Summer 2006
prototyping – be it a product concept or a
1. Life-Saving Packaging:
business model – is that they work their
Target’s New Prescription Bottle
ideas through earlier and faster, leveraging
In 2004, insightful designer Deborah Adler [see coverage of her talk at Rotman 2. Operational Transformation: Boeing
management – rather than waiting until all
on page 87] set out to completely overhaul
of the I’s are dotted and T’s crossed to get
the standard decades-old prescription bot-
tle which created no end of problems with
patient compliance and health risks due to
and organizational challenges of its past,
Design Principles Pay Off Boeing and its architectural firm NBBJ
standing of who took medications and how,
decided to put design thinking to work in
its broadest sense and create a ‘democratic’
methodology of design are put into play, it
take the anxiety and risks out of medicat-
ing. Target Pharmacies embraced her
white-collar engineers, sales, and corpo-
design and took on the challenge of work-
doing’ can deliver breakthrough results in
that this may very well be the single biggest
behind these successes are reflective of the
decades.This is a fantastic example of how
principles of design and showcase the wide-
something ‘generic’ and functional can cre-
rather than the process. Real and quantifi-
spread impact of design in diverse fields.
Business Design Initiative Karen Christensen: What is the Rotman HF: What are you hoping to achieve over Business Design Initiative?
exchange of thinking that brings together
the next five years? Heather Fraser: The Business Design Ini-
complimentary areas of expertise in design
KC:The overall goal is to develop a learning
and business.The collaboration has emerged
out of a shared interest in fusing the best
industry that will integrate the best prac-
Desautels Centre for Integrative Thinking.
practices of design and business to foster
tices from a wide range of design-related
Whereas the broader notion of integrative
innovation. The goal of this collaboration is
disciplines. This will include the develop-
thinking includes all aspects of the cogni-
to link ‘design methodologies’ around
human insight, physical invention and busi-
‘connective’ thinking, the design initiative
ness design in a way which will complete the
design principles and practices to create
specifically applies principles and practices
innovation cycle, from inspiration through
to the creation of a viable concept and sup-
collaboration, designworksTM, fuses the
• a curriculum stream that will offer MBA
KC: Talk a bit about the School’s partners
learning of all three academic institutions
on this initiative.
into a working model for inspiring innova-
HF: The relationship Rotman has with the
tion across all functional disciplines. Our
relating to ‘design doing’, culminating in
Institute of Design at Stanford [headed up by
pilot sponsor is Procter & Gamble, a IDEO founder David Kelley] and the Illi-
leader in design thinking in industry. Beyond
• a design module integrated into the Exec-
nois Institute of Technology’s Institute of
this workshop initiative, we have also shared
Design [headed by Patrick Whitney] is
research interests relating to the impact of
• a customized education program for cor-
best described as a collaboration – a work-
porations and industry at large which can
ing relationship that is not one of a formal or
process and cultural transformation.
enhance the innovation capabilities andculture of a wide range of organizations.
Rotman Magazine Spring/Summer 2006 • 27 2. Build it into your corporate/organiza-
inspiration in fueling corporate ‘brand’ cul-
shortened, and the number of ‘flow days’ in
tional strategy. Design is not just a ‘tactic’;
tures like Clearnet (now Telus), Apple
the factory for final assembly was reduced
in order to succeed, it needs to be part of
and Medtronic. Design thinking can
your organizational strategy – from top to
you can improve operational effectiveness
bottom, across all areas of expertise. Sam- sung’s embrace of design at all 6. Feed it and reward it. Once all of the
organizational levels has allowed it to move
above conditions are met and ‘design doing’
operational and cultural transformation.
is set in motion, the organization will make
3. Communications Design: Viagra
trounces Sony and Panasonic in sales.
In 2001,Viagra held the leadership share in
organization’s innovation strategy, it also
its category.The challenge was that the mar-
3. Assign a leader, but don’t limit it to a
needs to be part of an its cultural develop-
ket was ‘contained’, for the simple reason
function. Innovation through ‘design doing’
that men were not consulting their doctors
involves everyone. It is not just the ‘design
to be validated. 3M’s strong ‘culture of
about their condition. By understanding the
department’ or the ‘innovation team’ or the
innovation’ that rewards creativity at every
holistic experience of the sufferer from the
‘marketing function’ – it should inspire and
organizational level has made the company
stage of ‘denial through to revival’, Pfizer
impact every corner of the organization.
a leader in delivering breakthrough solu-tions throughout much of its history.
Design is not a one-shot vaccine; it’s an
7. The future starts today. While a sus- tained shift in culture takes time to gain
‘innovation fitness program’ that puts an traction, it is important to get started,
think big about the future, and implement
In Closing
and guided the sufferer through every stage
song sheet. Claudia Kotchka’s appoint-
Organizations can no longer count on qual-
of their journey, using a multitude of chan-
ment as head of design strategy at Procter
ity, performance or price alone to sustain
nels and tactics to empathetically transform
& Gamble has served to inspire and institu-
leadership in the global marketplace. Design
a passive patient into an active patient. The
tionalize design across the 100,000-strong
results – an unleashing of patient/doctor
weapon and key driver of innovation. Lever-
dialogue and a surge in prescriptions –
aging the power of design across all aspects
demonstrate that these same principles can
of a business can establish and sustain an
organization’s unique competitive advantage.
development and communications planning. 4. Collaborate and internalize it. Don’t
hire someone to do it for you, collaborate
Seven Steps to Successful Design-Doing
with experts who will do it with you and
organization will be well equipped to trans-
committing to ‘design’ as a means of dialing
physical training, consider hiring a ‘design
late inspiration into implementation.
trainer’ or ‘coach’. Witness Monitor Uni-
versity, IDEO’s relationship with its
Heather Fraser is director of Business Design Initiatives in the
Desautels Centre for Integrative Thinking at the Rotman
designworks™ ini-
School. She is the creator of Rotman designworks™, a pilot 1. Make a long-term commitment.
program currently being tested in organizations that will
Design is not a one-shot vaccine; it’s an
become part of the Rotman curriculum in the near future.
‘innovation fitness program’ that puts an
5. Inspire, don’t legislate. It’s not about
organization on top of its game. It is not an
establishing a new set of rules. It’s about a
‘event’, it is a way of thinking, communicat-
cultural shift toward fewer rules, deeper
ing and doing every day. GE’s strong track
values, and stronger principles. It’s a new
record of investing in management practices
way to think, not just about projects but the
that push for continuous product and busi-
way you work together day-to- day to solve
organization an innovation behemoth.
tunities. One only has to see the power of
28 • Rotman Magazine Spring/Summer 2006
Dies ist eine wissenschaftliche Bewertung des Instituts für Klinische Pharmakologie, Klinikum Bremen Mitte gGmbH, St.-Jürgenstrasse 1,28177 Bremen, die dem AOK-Bundesverband (Bonn) für Informationen auf Grundlage des § 73 Abs. 8 SGB V zur Verfügung gestellt wurde. Hinweise zu Indikation und therapeutischem Nutzen Glitazone Wirkstoff Handelspräparate 2 mg /500 mg, 2 mg /1000 m
Eur J Clin Pharmacol (2004) 60: 29–35DOI 10.1007/s00228-003-0719-7P H A R M A C O E P I D E M I O L O G Y A N D P R E S C R I P T I O NLen Bowers Æ Patrick Callaghan Æ Nicola ClarkCatharine EversComparisons of psychotropic drug prescribing patternsin acute psychiatric wards across EuropeReceived: 23 July 2003 / Accepted: 28 November 2003 / Published online: 28 January 2004 Ó Springer-Ver